Coming back, Talaash is well composed of suspense, thrill, pain and myths. With no doubt, credit goes to the director. Aamir khan, one of the finest artists Indian Cinema possesses, has done enough once again. Kareena Kapoor Khan looked stunningly beautiful. Raani Mukharjee, in a housewife character, perfectly glued to the emotions.
Nothing major to write about this movie, as you know, its suspense type does not allow much. I have waited a whole week to pen down this post such that by now, I felt, I could hope that many of you would have watched the movie already. If not yet, don’t proceed reading this post any further. Please consider this as a sincere disclaimer.
But as a person having belief in the humanity, the reason behind the concept seemed ok, not perfect though. It seemed ok because they left her wounded all alone on the road at mid of the night but seemed not perfect because they had called a man for her help by taking the responsibility as they had to save themselves from the endanger, being celebrity dudes.
However, the way the incidents have been connected throughout the movie is good. Credit goes to the brilliant direction and the intelligent script. I’m proud that both the director and the dialogue writer are women.
If I have to choose one between Kahaani and Talaash, I would choose Kahaani for its twist at the end which seemed more human and practical. With that, it goes without saying, I’m awaiting Kahaani-2.
On the whole, as I said earlier, Talaash is a perfect one-time watch.
One more, to be frank, I could not completely correlate to the tag line of this movie! ‘Within’, how to understand this w.r.t. the story? Let me know if you get it.